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Robin Boyd, Christos Tsiolkas (Introduction by)
The Australian Ugliness.pdf
Brilliant, witty, scathing, The Australian Ugliness is the classic postwar account of Australian society, how we live in the environments we create, and the consequences of our failure to think about how we live. Boyd was a fierce critic, and an advocate of good design. He understood the significance of the connection between people and their dwellings, and argued passionately for a national architecture forged from a genuine Australian identity. His concerns are as important now, in an era of suburban sprawl and inner-city redevelopment, as they were more than half a century ago. 'The basis of The Australian Ugliness,' he wrote, 'is an unwillingness to be committed on the level of ideas. In all the arts of living, in the shaping of all her artefacts, as in politics, Australia shuffles about vigorously in the middle-as she estimates the middle-of the road, picking up disconnected ideas wherever she finds them.' Caustic and brilliant, The Australian Ugliness is a masterpiece that enables us to see our surroundings with fresh eyes. This edition is complemented by Robin Boyd's original sketches for the book and a new afterword by major contemporary architects-John Denton, Philip Goad and Geoffrey London. Robin Boyd is arguably Australia's most influential architect. From the late 1940s Boyd wrote extensively about the importance of design in inexpensive housing. In 1952 he published Australia's Home, the first substantial survey of the country's domestic architecture. His masterwork, The Australian Ugliness, was first published in 1960 and the title has since entered the Australian lexicon. In all, Boyd wrote twelve books. Christos Tsiolkas is the author of four novels: Loaded (made into the film Head On), The Jesus Man, Dead Europe and the award-winning bestseller The Slap, which has been made into a television series for the ABC. textclassics.com.au 'Robin Boyd's book clarified for all of us that Australian ugliness-how we would bludgeon the land into fertility, cut forests so that power lines could go through, so that cars could take precedence over everything...Conservatism reigned supreme; it had to be like that regardless of whether it was logical, whether it was appropriate, whether it responded to climatic variations. ..The buildings were the same from Melbourne to Darwin, and they still are the same.' Glenn Murcutt 'As interesting and amusing and untechnical as a novel.' Sir John Betjeman 'An argument for an environmental approach to design and a tirade against the visual pollution of the commercial strip.' Philip Goad 'The link by which architects began to speak to the community and the community spoke back.' J.M. Freeland 'He got us. He still gets us. Boyd understands that like all peoples we are contradictory; he also understands...that we are responsible for ourselves.' Christos TsiolkasAbout the AuthorRobin Boyd is arguably Australia's most influential architect. He was born in Melbourne in 1919 into one of the nation's great creative families, which included the painter Penleigh Boyd, novelist Martin Boyd and artist Arthur Boyd. Joan Lindsay, who wrote Picnic at Hanging Rock, was his cousin. From the late 1940s Boyd wrote extensively about the importance of design in inexpensive housing. He was an idealist who believed that good design would improve the quality of people's lives, a tireless public educator and an outspoken social commentator. In 1952 he published Australia's Home, the first substantial survey of the country's domestic architecture. His masterwork, The Australian Ugliness, was first published in 1960 and the title has since entered the Australian lexicon. In all, Boyd wrote twelve books. Boyd's architectural practice was prolific, and he worked with other leading architects, including Roy Grounds and Frederick Romberg. In his comparatively short career, he designed more than two hundred buildings of many kinds: houses, blocks of flats, motels and churches. He designed the now-demolished Australian pavilion for Expo 67 in Montreal. Robin Boyd died in 1971, when he was fifty-two. In 2005 the Robin Boyd Foundation was established to celebrate his legacy and to promote debate about Australian design and society.
Boyd investigates visual pollution in Australian aesthetic, in relation to architecture and the suburbs. In the text he coins the doctrine " featurism " to describe the state of Australian architectural design.
Fifty years after its first publication, Robin Boyd's bestselling The Australian Ugliness remains the definitive statement on how we live and think in the environments we create for ourselves.
Through different ...
In 1960, influential architect Robyn Boyd published a seminal best-selling text The Australian Ugliness. The book offered a scathing critique on the Australian aesthetic - heavily influenced by English and American styles of decoration - 'The basis of the Australian ugliness,' Boyd wrote, 'is an unwillingness to be committed on the level of ideas.